in term ezzo

the da nc e inthe  m e  zzol i ve hd  is like  the   
   dance of  asla ve s     f  or                  m   fo rumklassika 

the fantasy  is limited to   s tupi dity
more fan tasy  per fav ore

   simfonia
-opera  comica 
-opera b u ffa
- operaseria
tra gedy
the last is forme who doesnot experience th e hapi ness   of marria ge
this is  to work as aslav ein  gu lag 

 inthe simphonia of  four operas                            (  l ike  th e ma  thtew's  ido t with  the yello y   card    in theBuch )  
wesee   the  main themes o f the  piece (pis   pis pis )
joined   the  bridge    wh ich     is made by the composer (or  the   coppyrighter lik e b ernshtein and Gershwin )

we  c a n h e a r in the pi ec e (pis pi s pis ) 
the themes that present(presn )    the main characters or  the instruments that do that (like th e clar i net  in stra  vinsk y 's  petrpushka  w ithnomoney  as  me )
 played by  the sol ist  o f the p s pis ps

spno v oglio   ma  tr imo nio 
    euna boella bambina
che  sara 

eg
papa geno  w i th  papagena
Pamina  with Tamina

 in  die  Za   ub e rf lu te

 mo za r t sco red    the  s omfonias  from operas an d 
 in t alo t of the chamber pi eces    (    ra m evron from the  kola musica brodcas t )
some musicians can transcribe   for their appearences  
 an y piec e  of mozart
   but to  pay boi th to the ho lders of c  oopyri  ght for transcrip t ons
and fo r the  pe rfo rmance b  y a  un it of the one