cher beautex jansen


gergiev play his tempi very fast (maxim down -mderato )
but the brahms demands to sing bar-bar with pauses
lentisssimo

with the technical brilliancy which you do have but we neeed to a-a
not aa

itcoulld be that brahms concerto should be divide d into cantilene  to broaden the bars (not in the begininning ) the bb
the bars is is not broaden
ups and downs

that is to say you need to play as you says word in the dutch  (the articulation correct and
defenite notby cantilena
take the recordings
let you company exchange apart of right
they can download for you defenetely

janine stand right to the conductor
you nedd to read his  directions

left /right the muscians
\\musicians/ concertmeister of the grouppe1/ the solist / concert meister of gruppe2 therest ofmusicians

this is modification of stand made by joneh blauh at the philadelphia hall
more than that he who plays the second part of the brahms
concerto
violin ind
he whptaught me play this lentissimoto help me and with stops which gave the air to the part
the third part
the problem is you play rubato  and barioonaje

play with stops and air asin the bach\s
ta -ta
ta-tam (ton koopman)
soft atacca
atacca the game of both solist and ochestra or sometimes just  the  solist

discreshendo
the first bar
up3
bar down 2
bar down 1
0

valerii absailivitch

the entrance of the orkestra machen
the same left hand to call solist of orkestra /simply solist
the sequence solist -first violnen  (or another gorup )
- the orkest
to be frankly
janine vag has very big tempes in the concerto
you need in the  next time when this brilliant conductor
calls you to ask via the  recording his tempi in any concerto

or ask him directly and make you party without vageue straight