to the valery gergiev
valerii absailovitch

the situation is follows

if you can please hire somebody of the old musicans who does know bars
and how to write them

eg
ligatura
do silia sol fa mi redo

each bar in the ladder is play ed by
youneed to point to solist with /or group of the prkestra as the voice
the first bars are need to played less heavily as  did kubelik

the atacca is heavy
you need to play the bars longer

the orkester need play drums mezze forte tempo 1

the orkesr round and down
now the ataccais havely played
the orkest played well and not from time to time
we cannot go to playe this
without the repetition
when yel levi did so with ipo idid understand since this was the new conductor
in auditorium haifa ten years ago
the second part is possible written with difficulties
up down up
but it is the best to play the one with the equal
either lentissimo vivace or as mravinsky moderato lent
op
the third part is like the one in the serenade for strings
that is fully romantic one
vivace lentissimo cantilena
the prologed sound
to be frankly in the romantic part of the second movenment they play sof t atacca
fine
the situation with drums
please soften the play this not the parade of the soldiers
the third party at the end the play on the high tone beat sond
dvozak is the romantic  era
weneed to play this easily not as the fidelio
the fourth part
the heavy and line in atacca
please add air in the music
this piece sometimes is the  opening of the dvozak
but sometimes is ver difficult to play as piano concerto





the third part is less problematic
but play the air instead of line